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Lila comes upon her nephew Ever, now nearly 15, punching a phone booth. She has been looking for him because her sister Turtle called to say that the boy was out wandering the streets near Lila’s house. Ever was kicked out of school and lives with his father now, near Lila but far from Turtle.
Ever had not seen his father in years, and at first he enjoyed their time together. Everardo is at this point living on disability checks. His kidneys having failed, he is unable to work. He lives in a tiny efficiency, alone. He takes his son to a diner and charms the waitress. He brings Ever a series of old western books that depict “Spaniards’” and “Indians,” and Ever is amazed that the two groups intermarried even back then. He recognizes traditional Kiowa colors, and marvels at the way that Spanish and Indigenous history interweave.
His father takes him to a quinceañera. Nervous because he does not speak Spanish, Ever does not want to go inside. His father gets angry but leaves Ever in the car. Eventually his cousin Araceli, the girl whose party they are at, brings him a plate of food. He hurriedly eats the delicious tamales and then promptly vomits all of the food up, angering his father further. Everardo goes back inside, and Ever grows increasingly angry watching his father consume drink after drink. In a fit of rage, which he himself does not fully understand, he breaks a window. He then calls his mother, and she sends Lila to go and pick up her son.
Quinton recalls the summer that he and Ever turned 18 and were finally given the per capita money allotted to tribal members for the lease of tribal land. They each purchase a car, but also buy a large amount of marijuana and an assortment of hard drugs. They plan to have a large party and invite their friends and some girls. They run into “a Hokeah walking out of a bookstore in the mall” holding some books by a guy “named Momaday” (100) and decide not to invite him. When Ever turns 18, they have another party. Quinton remembers Ever telling him that, after he blacked out, he ran naked to a KFC and tried to trade his shoes for a bucket of chicken.
In spite of the partying, Quinton also remembers the way that the two young men had helped their mothers. Quinton bought his mother food and beads so that she could make more money from her beadwork. He paid off her rent-to-own washer and dryer set. Ever helped his mother purchase furniture and also paid money towards their house. The mothers then reiterate that being Kiowa is about togetherness, community, and tradition.
While at home watching a movie, Turtle gets a call that her estranged husband Everardo has passed away. Her daughter Sissy chooses that moment to announce her pregnancy, and her son Ever shrugs his shoulders. Turtle is more taken aback by her daughter’s news than by the news of her husband’s passing. Sissy is 16 and Turtle not yet 40. Turtle works at the reservation hospital pasting labels onto records. Shortly after Sissy tells her mother the news, Turtle comes across her daughter’s file and remarks to herself that at 16, her daughter is about to become a mother and that, not yet 40, she is about to become a grandmother.
The father of Sissy’s child rarely calls, and Turtle is ashamed and upset that her daughter is about to be a mother at such a young age. She recalls how disingenuous Everardo had been. Her own mother had warned her about dating men like him. Ever has a job now, and he comes home from days spent working in the hot sun exhausted. He collapses into bed and does not have energy until after a nap and dinner. Sissy is constantly on the phone with her friends. She wants her mother to be part of the pregnancy, but Turtle cannot muster any interest.
Her daughter tells her how wonderful the father of her child is, but he does not introduce himself to Turtle, spend any time with Sissy, or take an interest in the child. Ever has made a new friend, a former inmate who cooks his own meth and gets into fights. Turtle is worried about his influence on her son, but ultimately the man seems to self-destruct and Ever joins the army. Turtle is happy that Ever seems to be on a better path. Sissy nearly goes into premature labor and is treated with disrespect at the hospital. She gives birth a few weeks later, and the baby’s father’s parents request a paternity test. Their son is indeed the father, and he is forced to pay child support. Turtle reflects on how her husband’s abuse has damaged her children, how it has made Ever violent and Sissy willing to take abuse herself. Turtle begins to take care of her grandson and finds that she does love the little child.
In this set of chapters, the motif of violence continues to paint a portrait of the way that Generational Trauma takes root in families. Hokeah depicts many of the social issues faced by Indigenous communities today, and abuse, addiction, generational poverty, and the fraught nature of the foster care system all emerge as common struggles within Cherokee and Kiowa communities in Oklahoma in particular. The complexity of multi-cultural families appears in Ever’s own troubled relationship with his father’s relatives. In spite of all of the troubles and difficulties depicted in these chapters, the theme of Resilience and Family Bonds continues to play an important role in the narrative, and Ever maintains strong relationships with multiple family members.
Ever is nearly 15 at this point in the story, and he has begun to exhibit violent tendencies. Although he does not mimic Everardo’s habit of turning his anger on his family members, Ever has learned the (unhealthy) habit of using violence as a problem-solving method, and after repeated outbursts and fights at school, he has been expelled. After his expulsion, Turtle sends him to live with Everardo. Ever notices his father’s alcohol addiction and feels the sting of his rejection when Ever does not live up to Everardo’s expectations for his son. Everardo is not an attentive, involved, or loving father, and in this strained relationship, readers can understand why it will ultimately become so important for Ever to provide his children with love, acceptance, and stability.
Everardo is disappointed in Ever’s lack of comfort with his Mexican family members, and he does not know his son well enough to understand the way that his own abusive parenting contributed to Ever’s withdrawn, socially anxious personality. Ever does not speak Spanish, does not feel at home with his Spanish-speaking relatives, and at this point in the narrative has had few meaningful relationships outside of his Indigenous family. He is ill-at-ease at school amongst his peers, and although his cousin Araceli brings him a plate of food, his nerves are so great that he vomits everything up, much to the frustration of his father, who responds by going inside, ignoring Ever, and drinking heavily for the remainder of the party. Scenes such as this one not only develop Ever’s characterization, but also illustrate the ways in which Everardo’s cold, abusive parenting leads not only to Ever’s anger management issues, but also to his troubled socialization. Ever does not have a stable male role model and has not yet begun to develop a strong sense of personal or cultural identity.
In this set of chapters, Ever and Quinton both turn 18, and as legal adults, are entitled to the yearly allotment money granted to tribal members for the profits made from the leasing of reservation land. They both purchase cars, but also large quantities of drugs and alcohol, and Quinton remembers ruefully how out of control their partying became. Here, too, the impact of generational trauma is on display, for the boys grew up in families marked by poverty, violence, and substance abuse. Without enough models of healthy behavior, it is incredibly difficult for the boys to not repeat the mistakes of the previous generation. And yet, substance abuse (and even misuse) will not become a major problem in Ever’s life. His identity development is much more of a focal point in the remaining chapters in the novel, but this early instance of substance misuse becomes an exemplar of what Ever is fighting against. And he will be successful in forging a healthy, culturally connected identity and moving beyond the violence and addiction in his family’s past. There is a deep well of strength within Ever, and although he grows up against the backdrop of multiple kinds of trauma, he finds a way out of so many unhealthy patterns.
Ever’s ability to turn his life around is rooted in his deep Family Bonds, and those relationships rise to the surface in these chapters. Even during their 18th birthday party drug-and-alcohol binges, Ever and Quinton set aside a portion of their money for their mothers. Each boy helps his mother to purchase expensive necessities, and the way that they remain focused on their family even while spiraling (momentarily) out of control speaks to the strength of their familial relationships. There are multiple other instances of Resilience and Family Bonds in these chapters, and Ever’s sister Sissy also emerges as a figure of strength and resilience. She, like her mother, gets pregnant early, and Turtle cannot help but observe that the baby’s father is as unhealthy and unprepared for parenting as Everardo had been. She is disappointed in Sissy’s choices and worries about her daughter’s future. And yet, Sissy does become a caring and devoted parent. She prioritizes her education and begins a nursing program. Readers get the sense that she will provide a strong and stable home for her child, and that like her brother Ever, she has found a way past some of the generational trauma in her family.
Another important piece of this novel’s representation of Resilience and Family bonds is Turtle’s characterization. In these chapters, she reflects on all of her mistakes, on the way that Everardo’s parenting affected her children, and on how difficult it is to escape unhealthy behavioral patterns. Like her mother, Turtle possesses a keen sense of self-reflection, and this skill becomes critical for so many individuals looking to process and move past trauma. It is so often taught to patients during the therapy process, and that both Turtle and her mother are so self-reflective becomes a critical piece in their own processes of healing and recovery.
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